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Dust Motes Dancing in Sunbeams, 1900, Wilhelm Hammershøi. A room in the artist's 17th-century apartment building which was located in a
busy area near Copenhagen's docks and factories. |
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Tall Windows, 1913 |
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study of sunlight, 1906.
In art school a teacher said of Hammershoi, "I have a student who paints in a very strange way.... I think he'll become important."
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Interior Courtyard, Strandgade 30, 1899
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The artist c. 1885 |
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a photograph I took at Governors Island 2012 |
Danish artist Wilhelm Hammershøi (1864-1916) travelled widely through Europe and painted landscapes, farms, and other rural scenes but his
most compelling and recognized works are his quiet, melancholy interiors, mostly of the apartments he lived in in Copenhagen. Non-narrative yet with an oddly cinematic quality, Hammershoi's paintings capture nearly empty rooms, sometimes with a solitary figure, often his wife Ida. Painted within a tight tonal
range of grays, and desaturated yellows and blues these rooms seem to murmur in a near
hypnotic state. Air and light are almost palpable. Although these are not restful or inviting interiors, I'm unfailingly drawn to them.
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